By Doug McClelland
The Jolson tale, a landmark Hollywood musical biography, introduced has-been blackface singer Al Jolson considered one of express enterprise' nice comebacks, made a celebrity of Larry Parks, the younger "B" motion picture actor who performed him, and spawned a sequel. For the 1st time, McClelland tells the tale of ways those movies have been made. for this reason, within the anti-Communist weather of 1951 the USA, Larry Parks's profession used to be destroyed while he admitted he were a Communist. the tale of Parks's downfall is an immense part of the publication, as is the photograph portrayal of that darkish interval in American historical past. With biographical profiles of all major individuals to the Jolson sagas and lots of infrequent images.
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Additional info for Blackface to Blacklist
Page 8 In another overlong show, Jolson, this time as star, stops the action, asks the cast to sit down on stage and explains how the plot comes out. " With a huge shot of his blackened face superimposed over the audience's smiling countenances, Jolson rips into "You Made Me Love You," done entirely in close-up. Jolson to Tom Baron: "I want to get close to the audience. " Jolson tours the United States. "Toot, Toot, Tootsie! (Goo'bye)" is heard on the soundtrack as Mama Yoelson flips through pages from her scrapbook on Jolson, and Steve entreats his workaholic charge to take some time off and enjoy life.
This does not seem to be true now, especially in the area of popular music, where culturally narrow striplings despite increased resources unavailable to their forebears don't want to know about anything predating Elvis Presley. " End of discussion. <><><><><><><><><><><><> Preparing Blackface to Blacklist, I talked to dozens of people close to both The Jolson Story and Jolson Sings Again. Never in my professional or personal life have I encountered so many contradictory versions of an event or events.
Lancashire's Leslie Halliwell, author of The Filmgoer's Companion series, discussed the phenomenon in his recent memoir, Seats in All Parts, about a youth spent in movie palaces escaping dreary industrial surroundings. He wrote: I adored The Jolson Story. I had not been expecting too much. . " I immediately liked the low-key style, the discreet sentiment, and the off-beat ending, and by the time I had seen it through again, and listened to Jolson's voice singing thirty-odd songs, it was already among my favorite films despite the show business clichés.