By Ruth Prigozy
Going My manner: Bing Crosby and American Culture is the 1st severe research of the singer/actor's paintings and of his centrality to the historical past of twentieth-century renowned tune, movie, and the leisure undefined. the amount makes use of a variety of scholarly and cultural views to discover Crosby's specific and lasting achievements. it is usually tributes and memories from Bing's widow Kathryn, his grandson Steve, his list manufacturer Ken Barnes, and one in every of his most well-liked successors, Michael Feinstein. different members comprise Gary Giddins, the writer of a extensively acclaimed fresh biography of the singer, and may Friedwald, the stated professional at the improvement of the "great American songbook."
as well as learning Bing Crosby's strategies and memorable achievements as a recording artist, Going My Way explores his accomplishments as an actor, businessman, and radio and tv performer. Going My Way makes a powerful case not just for Crosby's enormous expertise and inimitable type, but additionally for his elevating the standard of renowned making a song to the extent of art.
members: Ken Barnes, Samuel L. Chell, Kathryn Crosby, Steven C. Crosby, John Mark Dempsey, Bernard F. Dick, Deborah Dolan, Michael Feinstein, Will Friedwald, Jeanne Fuchs, Gary Giddins, Peter Hammar, M. Thomas Inge, Malcolm MacFarlane, Eric Michael Mazur, Martin McQuade, Elaine Anderson Phillips, Ruth Prigozy, Walter Raubicheck, Linda A. Robinson, Stephen C. Shafer, David White, F.W. Wiggins
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Extra resources for Going My Way: Bing Crosby and American Culture
Nor is it a surprise to suggest that the most obvious films to provide us with information about American Catholicism are those in which Crosby most clearly represented the tradition to viewers—those films in which he played a Catholic priest modeling “Crosby Catholicism” to the audience. ” In Crosby’s own words, it also “won a flock of Academy Awards,” including best supporting actor (for Barry Fitzgerald), best picture, best original song (“Swinging On a Star”), and best original story, as well as an Oscar for best 37 actor for Crosby himself.
He achieved his long run by inventing and refining a Bing Crosby persona, an overall personality that subsumed virtually all the characters he played. ” This may seem rather obvious today, when we are accustomed to movie gossip designed to humanize, at best, and belittle, at worse, celebrities we simultaneously mock and support. That was not the case in the 1930s, when fan magazines and newspapers reported on the stars as dictated by studio public relations departments. In that era, when studio chiefs nurtured stars by approving their films (sometimes detrimentally), performers often played versions of themselves; a Fredric March or Paul Muni might win plaudits for disappearing behind makeup and character, but most major stars were types, readily identifiable.
In fact, the line is more complex and more Butlerian, right along the lines of the cool hour passage. The point of the cool hour passage is that even when one has good moral reasons for acting to benefit others, people generally will not act on such motives until they are seen to be in accord with self-interest or at least not contrary to it. Father O’Malley knows he must appeal to self-interest as well as morality. He gets Dr. McKay to agree that charity toward others is good for the heart. He then lets the doctor persuade Mr.