By Drs. Hedy D’Ancona (auth.), Martine Briat, Judith A. Freedberg (eds.)
The Programme for the 3rd Symposium at the overseas paintings exchange and legislation used to be constructed by way of the Institute for foreign company legislations and perform of the overseas Chamber of trade and its Chairman, Prof. Pierre Lalive who has additionally supplied the Preface to this quantity. below the auspices of the Institute, a Questionnaire used to be formulated and circulated. The amassed fabrics have been reproduced and dispensed on the Symposium through the Amsterdam Chamber of trade. journalists from 13 nations spoke back to the Questionnaire. at the foundation of those nationwide experiences, normal reviews have been ready and offered on the Symposium. half one in all this quantity comprises: - Questionnaire overlaying themes 1-5 - basic details on a couple of nations taken from the nationwide stories. half is split into 5 Sections, corresponding with the 5 subject matters addressed within the Questionnaire: subject 1. Freedom of museums to promote, exchange or in a different way cast off gadgets of paintings of their assortment subject 2. Freedom of creditors to promote or supply away all or a part of their collections subject three. Rights of artists and their heirs subject four. public sale revenues and prerequisites subject five. overseas transitority exhibitions and coverage through Concluding feedback by way of Prof. John H. Merryman.
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Extra resources for International Art Trade and Law / Le Commerce International de l’Art et le Droit
3. Public Ownership of Art: Conservation and Protection a Priority of Government Policy a. Government policy and legal consequences Since the government and the government-controlled museums are expected 'to possess sufficient sense of responsibility to counter the disappearance of really important works of art they themselves hold', 6 those drafting the Act proceeded on the principle that State-owned objects of art should preferably not be placed on the List of Protected Objects. This is still the ruling principle today.
Art. 4(2) FLPECP, HELFGOTI, Ausfuhrverbotsgesetz far Kulturgut, p. 94. 28 PART ONE: GENERAL GENERAL INFORMATION A violation of the general export prohibition shall constitute an offence to be punished by arrest for up to six months and/or the corresponding fine. 13 To any such fine will be added the replacement fine (Art. 12(2) FLPECP). Otherwise, the object concerned may be forfeited. 14 13. Art. 12(1) FLPECP, HELFGOTI, Ausluhrverbotsgesetz lur Kulturgut, p. 44. 14. Art. 12(4) FLPECP, HELFGOTI, Ausluhrverbotsgesetz lur Kulturgut, p.
RIGHT OF CONTROL AS OWNER Most of the Austrian art collections and certainly the best-known ones are Federal Museums. Here, I shall only indicate the rights of control resulting from the ownership of the Federation. , the Federal Minister by Land or City Councillor. In general, a museum does not enjoy full legal personality separate from the territorial entity owning it. Federal Museums enjoy a semi-autonomy in financial matters, * Editor's note: see 'National Report on Topic l' infra p. 97, 'National Report on Topic 2' infra p.