By Nigel Lesmoir-Gordon, Will Rood
From Zeno to Mandelbrot: discover this new language with you could describe the form of cloud as accurately as an architect can describe a home.
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Extra info for Introducing Fractals: A Graphic Guide
T h e e x t e n s i o n w i l l o c c u r a t t h e first finger. s Note: Fingers remain down. 2 - 3 - 4 -@ = I 4' o Note: A g a i n , u s e a l l e q u a t i o n s o n a s r n a n ys e t s o f s t r i n g s as nany positions as you can. 31 and Example #24 - EXTENSION ON THREESTRINGS Here is the same exercise as Examole #23 with the extension ^^^,,*,i , , , n^^ E a t the fourth finger. v t 2 - 3 -4-o :g (r 2 Note: As before, play all equations on different strings in different positions. sets of 32 d Example #25 - EXTENSIONSON FOUR STRINGS This exanple uses an extension at the first finger, using four strings.
The fourth finger is extended. @ - + - r 3 -@- \ - 2 ) 3- 4 -o 2 4 - 1 @ *b+ a - V. a t a I t a a 2 t- I t t t ^ a J t I t J t I , DISCOVERING NEWSOUNDS WITH QUADRAPHONIC FINGERING I a, a ,t I 6 ) , ) I 6 I q ) a , t a a t A I a, F ) t 2 I t I 1' 6 6 A. t t , t t 39 r l Conplete mastery of the guitar fingerboard is a never-ending process. Quadraphonic Fingering is a far-reaching step toward that goal. As always, the real key to its successful use depends strictly on the arnount of tinre and effort you are willing to put forth.
Follows: , 30 4 ? A a) a I A I Example #23 - EXTENSIONS 0N THREESTRINGS Example #23 works in much the same way as the previous example except that three s t r i n g s w i l l b e u s e d . F o r t h i s e x e r c i s e , the fifth position wi1 1 be utilized along with quadraphonic equaticrr Number 10 (2 - 3 - 4 - 1 ) . T h e e x t e n s i o n w i l l o c c u r a t t h e first finger. s Note: Fingers remain down. 2 - 3 - 4 -@ = I 4' o Note: A g a i n , u s e a l l e q u a t i o n s o n a s r n a n ys e t s o f s t r i n g s as nany positions as you can.