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Download Kiss Kiss Bang Bang by Pauline Kael PDF

By Pauline Kael

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But this kind of symbolic interpretation is not irrelevant to the appeal of the picture : Anto­ nioni loads his atmosphere with so much confused symbolism and such a heavy sense of importance tbat the vie�ers use the movie as a Disposall for intellectual -refuse. , because Antonioni inspires this jargon. When the photographer loses the photographic record of the murder, he loses interest in it. " ) In other words, if he did something about the mur�er, like going to the police, he would be accepting an involvement with the life or death of others, and he would find his humanity and become an OK guy to Time.

Schtik is the special bit, the magic gimmick that � Makes the old look new, the stale seem fresh ; it is what will "grab" the blic. �blic, satiated increasingly fast, will buy . Cl\ces, what will interest people? The problem that the "purveyors of the vertising scene" analyze is also being double-faced by the slick magazines ir\ld by Hollywood. Like tile Mademoiselle editor explaining why a piece of . Jean Harlow fiction was ;,being printed ("We thought it would be �ort' of ·�mpy and fun" ) , they clutch at any little schtik.

They want some meaning, some honesty, some deep er experience, and they try to find them in romantic ideas of rejection and< revolution based on their moral revulsion from the situation in the South, or in folk music, in underground movies, in narcotics. Even the worst underground movies- the most chaotic, confused, and boring, the most amateurish - may still look more "real," more "sincere" than industrial products like The Sandpiper or Harlow, which you can't believe, or gigantic spoofs like The Great Race, which you're not supposed to believe.

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