By Kyle Stevens
With iconic videos like Who's frightened of Virginia Woolf?, The Graduate, and Carnal Knowledge, Mike Nichols used to be the main widespread American director throughout the cultural upheavals of the Nineteen Sixties. Mike Nichols: intercourse, Language, and the Reinvention of mental Realism argues that he overhauled the fashion of mental realism, and, in doing so, keeps to form the legacies of Hollywood cinema. It additionally finds that misreadings of his movies have been principal to foundational debates on the emergence of Cinema reviews as a self-discipline, inviting new reflections on serious dogma.
Focusing on Nichols' vintage video clips, in addition to later motion pictures equivalent to Silkwood, The Birdcage, and Angels in America, Kyle Stevens demonstrates that Nichols' realism lies now not within the plausibility of his characters yet of their inherent secret. via getting to the difficult phrases and silences, breaths and laughter, that contain those characters, Stevens uncovers new insights into the subversive capability of various cinematic components, and divulges how Nichols' satirical oeuvre, and Hollywood itself, participated in different of the nation's so much pressing social, political, and philosophical advances.
Read Online or Download Mike Nichols : sex, language, and the reinvention of psychological realism PDF
Similar arts & literature books
In Louis Armstrong and Paul Whiteman the jazz student Joshua Berrett bargains a provocative revision of the background of early jazz via targeting of its such a lot impressive practitioners—Whiteman, mythical in his day, and Armstrong, a legend ever due to the fact. Paul Whiteman’s repute used to be unequalled during the twenties.
Douglas Fairbanks and the yankee Century brings to existence the most well-liked superstar of his day, the personification of the Golden Age of Hollywood. At his top, within the young people and twenties, the swashbuckling adventurer embodied the hot American Century of velocity, chance, and competitive optimism. The essays and interviews during this quantity convey clean views to his lifestyles and paintings, together with analyses of movies by no means prior to tested.
Few British jazz musicians were on the leading edge of as many activities as Ian Carr. A pioneer bebop participant in his early life, a colleague of Eric Burdon and John McLaughlin within the R'n'B explosion of the 60s, co-leader of 1 of Britain's so much cutting edge jazz teams, the Rendell-Carr Quintet, a free-jazz colleague of John Stevens and Trevor Watts, and the founder of jazz rock within the united kingdom together with his band Nucleus, Carr's musical profession by myself is actually extraordinary, and a one-man historical past of British jazz within the 60s and 70s.
With iconic video clips like who is terrified of Virginia Woolf? , The Graduate, and Carnal wisdom, Mike Nichols used to be the main renowned American director in the course of the cultural upheavals of the Nineteen Sixties. Mike Nichols: intercourse, Language, and the Reinvention of mental Realism argues that he overhauled the fashion of mental realism, and, in doing so, maintains to form the legacies of Hollywood cinema.
- Paul Bowles on music
- Gluck: Her Biography
- Memories of John Lennon
- Teddy Wilson Talks Jazz: The Autobiography of Teddy Wilson
- Prodigal Son: Dancing for Balanchine in a World of Pain and Magic
Additional info for Mike Nichols : sex, language, and the reinvention of psychological realism
That only ever exist (or existed) in spectators’ minds. It is about our familiarity with, and our estrangement from, kinds of relations, 18 Mike Nichols and so, for accuracy's sake, we might talk about psychological depth—as a discursive ideal—rather than realism. Even experiments with registers of performance like recitation or pastiche, as in Godard’s Two or Three Things I Know About Her (1966) or Vera Chytilová’s Daisies (1966), may convey the barest of motivations, veering toward the puppet-like, but to label them nonminded or implausible misses the point.
The criterion of plausibility suggests that psychological realism consists in characters’ actions being reasonable in a given situation. To call a character “unbelievable” or “implausible” generally means that the character’s reactions to her world are extraordinarily befuddling in some way. Hence, this psychological realism is less descriptive than prescriptive. It demands characters exhibit a consistent internal logic: that what they do comports with audience’s 16 Mike Nichols expectations of what they would do based on what they have done.
Anscombe, J. L. 27 In the 1950s and 1960s, this shift was the most recent development in the twentieth-century philosophical upheaval famously labeled “the linguistic turn” by Richard Rorty in 1967: “the view that philosophical problems are problems which may be solved (or dissolved) either by reforming language, or by understanding more about the language we presently use” (3). 28 Wittgenstein demonstrated the philosophical importance of the truth that the meaning of a word does not inhere in it, but that “the meaning of a word is its use in the language” (§43).